In September, when the season starts and I’ve got my brand new notebook ready, the first thing I do is to schedule those posts that I’ve previously known: Christmas, St. George's Day, Easter, etc. This year, in addition, as I was so happy with the Art Song season in Barcelona, I wrote down some posts "about the song recital of XX". For next week, I had scheduled a post about Francis Poulenc, which was one of the composers included in the program of Simon Keenlyside's recital at the Gran Teatre del Liceu.

But on Monday 22th of December, the opera house announced the cancellation of that recital. Given that the previous Saturday Keenlyside had to withdraw from Rigoletto in Vienna due to illness (a withdrawal with [...]

 

Have you seen how many children we’ve got today? They have come to celebrate with us the Twelfth Night. In each one of these eleven pictures, there is a boy or a girl who visited this blog before, as adults, to bring their music. Can you guess who they are? I think most of them are quite recognizable but, of course, I've got some insider info. So, just in case, I’ll give you some clues.

Before the clues though, a few remarks on those two pictures that may confuse you: in picture no. 1 there is a mother with her girl and her boy, we're interested in the boy. In picture no. 11, there are two children, ours is the one on the right; the one on the left is also a musician and he is the one who tweeted this picture.

 

Last year we closed the "Benjamin Britten Year" with two pieces of his A Ceremony of Carols; this week we are closing the "Richard Strauss Year" with two of his lieder, both about Christmas.

Richard Strauss wrote his first two works at the tender age of six. The first one was a polka and the second one was Weihnachtslied (Christmas Song), a short song from the first verse of a poem by Christian Schubart. As you can imagine it's a very simple song, and probably, it's merely an anecdote in Strauss's work but it's also a cute song and it's worth listening to it, at least once. Here you are, performed by Michelle Breedt and Nina Schumann.

 

We left Wilhelm and his companions at the first chapter in the fourth book, leaving the Count's castle, who provided them the means to get to a nearby village. Once there, Melina organizes the journey to the city where they are settling; Wilhelm forgets about going back home and joins them.

When they are ready to go, some rumours arrive that there are bandits on their road; They have to choose between staying in town some more days, taking a much longer way or just ignoring those rumours and go ahead with their plans. Wilhelm thinks the last one is the best option and soon everybody agrees, especially Melina who thinks is the cheapest option. Nevertheless, they set out ready for an attack.

 

What do Franco Battiato and Elvis Presley have in common? Both did a cover of the same Art Song, a French romance, to be more precise. Other pop singers at some point in their career have also made an incursion into Art Song. This is what this post is about.

 

We are listening to some versions as sample, but as we have already listened to many of the original songs, I made "a posteriori" list with the related posts. This way you can go over them if you feel like it; I added a comment in every post with a link to the pop version in Youtube. Whenever we talk about other covers, I'll add them to the list; Also, if you happen to know another posted Lied that went Pop, please let me know and [...]